Emma McNally’s complicated and energetic drawings of graphite on paper are both geometric and chaotic, ‘through mutations of connection and disconnection’ —
![Emma McNally](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiB8_w8Gn9yuPxUBFJUAkXELTlHVyWBDhpeO6OUDBkalKntGQFK8lDWnEEy1yTcfWwT5iI_2wU83-Evnyyn3c7oyQA_CxXg73wjuOwJhFjHrF8yDwcp2X2qiEU3V8tsQUz_-TSD2bjw_M/s400/Emma%20McNally%20C8.jpg)
![Emma McNally](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7NBkcAcKrNhVXWkRMw2dyzcnFpT5U9_vojcP64SEkzTdwK2yyS-TovIYaPzgDaPaN1A8n72ubEgZVVZrMZEJcXQClF-D-dHUcr0rIJZ7th09LzdC-0FwbXeLMUihD8HJlc0NxEN6YfZA/s400/Emma%20McNally%20detail%20f5.jpg)
Emma McNallyAna Balona de Oliveira's
scholarly essay accompanying Emma McNally’s ‘Fields, Charts, Soundings’ at T1+2 Artspace
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